David Kitzmiller is the principal architect of the Toaster Universe, an interconnected creative ecosystem spanning memoir, poetry, fiction, independent music production, and archival storytelling. Based in Indianapolis, he oversees a continuously expanding catalog of literary and musical works through Norman Kitzmiller Publications and Ace of Toaster Records, the two independent imprints that serve as the publishing and production infrastructure for his growing body of work.
Kitzmiller's documented creative archive begins at age twelve with a poem titled Nuclear Day, the earliest known work preserved within his collection. What began as a childhood creative outlet evolved into a lifelong practice of observation, documentation, and artistic exploration. For decades, much of this work remained private, accumulating quietly through changing chapters of life while expanding into thousands of poems, songs, journals, stories, and creative concepts.
The defining turning point occurred during a transformative trip to Australia. That experience ultimately led to the creation of A Step Away from Bathing with a Toaster, the memoir that introduced Kitzmiller's work to the public and established the foundation for the modern Toaster Universe. Nearly every literary and musical project that followed can trace its origins to the momentum generated by that first published work.
Kitzmiller's writing is characterized by precise observation, emotional honesty, and a highly structured approach to documenting human experience. Rather than limiting itself to a single theme or perspective, his catalog explores memory, family, grief, love, humor, resilience, addiction, loss, personal reinvention, and the countless moments that compose an individual life. His work is not written to satisfy expectation or genre convention. Instead, it reflects an ongoing commitment to recording experience as honestly as possible and allowing readers to discover their own meaning within it.
A defining characteristic of the Toaster Universe is its interconnected nature. Poems become songs. Songs inspire albums. Memoirs uncover stories that later evolve into fiction. Individual ideas frequently expand beyond their original form, creating a series of artistic chain reactions that connect one project to another. This process serves as the structural backbone of the Toaster Universe and continues to shape its ongoing development.
His work has earned regional and institutional recognition, including the Indiana's Own Award and multiple distinctions at the Northeastern Poetry Summit.
Kitzmiller was born in Fort Wayne and raised in Sheridan, Indiana, a community he continues to identify as his hometown. Throughout his life he has lived in numerous states, including California, Nevada, Texas, Ohio, and Florida, yet consistently found himself returning to Indiana. This recurring pattern reflects a lifelong tendency toward exploration, curiosity, and eventual return.
He currently resides in Indianapolis, where he continues to write, record, publish, and oversee the expanding network of creative projects housed within the Toaster Universe.
Much of Kitzmiller's early creative output survives today within a substantial personal archive. These notebooks document the development of an artistic voice long before publication became a consideration. The collection preserves decades of creative growth, experimentation, and observation, with the notable exception of the period from 1986 through 1988, which he refers to as the"Lost Years."
While poetry formed the earliest foundation of his creative work, those early writings were rarely intended for public consumption. Individual pieces often served as documentation of a moment rather than a finished destination. The origins of these formative years are explored in greater detail in Born with a Toaster in the Bathroom, the memoir that examines the circumstances and experiences that shaped both the writer and the eventual creation of the Toaster Universe.
Kitzmiller is the youngest of four siblings—Kathy, Shawn, and Norman—and also has several half-siblings on his father’s side: Lisa, Dennis (deceased), and Nicole. His closest relationship was with his brother Norman, who was only a year and three months older.
Norman's death in 1992 profoundly altered the trajectory of Kitzmiller's life. In the decades that followed, much of his attention shifted toward work, family responsibilities, grief, and personal struggles. The writing never completely disappeared, but much of it remained outside public view. The notebooks continued to grow even during periods when publishing was not part of the equation.
His adult life included two marriages, raising children, extended struggles with addiction, and the ongoing process of rebuilding structure and stability. Today, he maintains more than eight years of continuous sobriety from drugs and more than six years from alcohol.
Following his second divorce, a trip to Australia became the catalyst for a renewed sense of purpose and creative direction. The resulting memoir, A Step Away from Bathing with a Toaster, marked the beginning of his public creative career and transformed decades of private work into the visible foundation of the modern Toaster Universe.
Today, Kitzmiller lives with his best friend and shares a home with four dogs and four cats. He continues to oversee his literary and musical catalog from his private office library, which serves as both the operational headquarters and archival center of the Toaster Universe.
In 2022, Kitzmiller formally established Norman Kitzmiller Publications as the independent, executive home for his literary catalog and creative projects. The imprint is named in honor of his older brother, Norman Kitzmiller (1972–1992)—a brilliant visual artist whose warm, quietly observant soul left an indelible mark on everyone who knew him. Norman absorbed the world carefully and thoroughly; he was an individual who never sought out trouble, though he possessed the quiet, unmistakable strength to finish it.
Norman’s artistic style was deeply rooted in the natural world, capturing expansive nature scenes in rich oil paint on canvas, while his precise pencil sketches often focused on the elegance of the natural female form. Growing up, Norman also used to collect the "Ace of Spades" card out of any deck he could find, amassing a massive collection simply because he noticed that through every brand and deck, the Ace of Spades was always uniquely intricate and distinct from all the others. This exact card now serves as a deeply personal emblem for David, as well as the unifying visual logo for both the publishing house and independent music label.
Their creative bond began early; during their junior high and high school years, David would construct intricate, small-format comic books with detailed storylines, which Norman would then vividly bring to life with his illustrations. It was Norman who first showed David the transformative power of art—teaching him that when words and visual imagery are deliberately brought together, they create something far more beautiful than either could achieve alone.
Norman's tragic passing by suicide at the age of twenty entirely altered the trajectory of David Kitzmiller's life. For thirty years, that profound loss manifested as a heavy gravity of grief and addiction, as David fought to push down the immense pain of the absence. The turning point came when David realized that through decades of mourning, he had never truly paused to celebrate Norman for the vibrant life he lived and the person he actually was. That realization shifted everything.
Naming the publishing house after Norman is far more than a conventional tribute. From management’s perspective, it represents a permanent, living creative contract. By placing Norman’s name and legacy directly alongside every piece of literature, poetry, and music produced today, David ensures that his daily work as an author and publisher is an active, ongoing celebration of his brother. It is a promise to refuse to quit, and to carry a shared creative flame into the artistic territory that Norman never got the chance to explore. In his honor, the crisis lifelines housed on this platform remain a permanent, non-negotiable fixture.
Kitzmiller's work is informed by lived experience, including encounters with depression, trauma, grief, addiction, recovery, family conflict, and personal reinvention. These experiences form an important part of the biographical context behind the catalog, but they do not define its scope.
The work itself extends far beyond any single chapter of life. Across poetry, memoir, fiction, and music, Kitzmiller's primary interest remains the documentation of human experience in all its forms. A poem may emerge from grief, but it may also emerge from love, humor, frustration, curiosity, nostalgia, or simple observation. The catalog reflects a sustained effort to understand life rather than reduce it to any one narrative.
Throughout the body of work, difficult subjects are acknowledged directly rather than avoided, yet they rarely serve as the final destination. The emphasis consistently remains on movement, perspective, growth, and the possibility of discovering meaning within even the most challenging circumstances.
A recurring element throughout the Toaster Universe is the presence of hope. Not as blind optimism or denial of hardship, but as the practical belief that the next chapter remains unwritten. Whether through poetry, memoir, fiction, or music, Kitzmiller seeks to create work that meets audiences wherever they happen to be and invites them to continue moving forward.
At the center of the Toaster Universe is poetry.
Although the catalog now spans memoirs, fiction, recorded music, collaborative projects, and long-form narratives, many of those works began as poems. Kitzmiller's creative process often treats poetry not as a destination, but as a point of origin. An idea introduced in a poem may continue developing into a song, a memoir chapter, a fictional character, a novel, or an entirely new branch of the ecosystem.
The Toaster Universe exists because individual creative sparks are allowed to evolve beyond their original form.
Kitzmiller's catalog operates as an interconnected system in which each project contributes to the next. This progression forms the structural backbone of the Toaster Universe, linking memoir, poetry, fiction, and music through a clear sequence of development. Here are some examples:
Memoir Reestablishment: The biographical work in A Step Away from Bathing with a Toaster reestablished Kitzmiller’s writing practice and led directly back to his early foundation in poetry.
Poetic Redirection: While writing Born with a Toaster in the Bathroom, the intensity of the material prompted a temporary shift in focus, resulting in Poems from the Toaster Volume I.
Acoustic Development: After completing the memoir, Kitzmiller entered therapy to process the work. During this period, he wrote Poems from the Toaster Volume II, which led to the development of acoustic recordings and the release of Recorded Songs from the Toaster Volume I.
Industrial Expansion: Studio experimentation during the acoustic sessions revealed that certain poems required a heavier musical approach. This led to the creation of Burnt Songs from the Toaster Volume I, influenced by Kitzmiller’s early interest in speed metal.
Fictional Construction: The energy of the industrial sessions resurfaced memories from Kitzmiller’s youth, prompting the writing of his debut novel, Nameless Cowfish: The Years Between the Stations.
Tribute Integration: After completing the novel, its fictional band inspired a collaborative various‑artist album, Rust Belt Thunder: The Nameless Cowfish Tribute, along with additional projects designed to expand the novel’s musical world.
Vocal Reinterpretation: Work on Recorded Songs from the Toaster Volume I introduced new vocal collaborators, leading to a focused acoustic project titled She Sings Songs from the Toaster: The Bedroom Sessions.
Roots Crossover: During a break in recording The Bedroom Sessions, Kitzmiller encountered Tyler Travis & The Strummers, which led to a shift toward roots‑driven storytelling and the creation of Country Songs from the Toaster Volume I.
Operatic Extension: The track “Suicidal Vampire,” developed during The Bedroom Sessions, is currently being expanded into a multi‑movement rock opera.
This sequence illustrates how every branch of the Toaster Universe remains connected. Each project contributes to the next, creating an ongoing creative conversation that moves freely across mediums while remaining rooted in a common source.
Kitzmiller maintains ownership and creative oversight of this interconnected catalog through two independent imprints:
Norman Kitzmiller Publications (Est. 2022): The publishing home for his literary works.
Ace of Toaster Records (Est. 2024): Managing and developing the musical branch of the Toaster Universe.
Kitzmiller is entering a period of expanded production across all mediums, supported by the infrastructure of Norman Kitzmiller Publications and Ace of Toaster Records. Current development efforts focus on advancing the literary and musical branches of the Toaster Universe through new releases, structured publication planning, and continued studio work.
The catalog’s forward trajectory is anchored by a substantial archive of unpublished material. Kitzmiller maintains a vault of approximately 5,000 poems and songs, a collection that continues to grow each month. This archive supports upcoming poetry volumes, additional memoir installments, and new departures into long-form fiction.
Playing with a Toaster by the Bathtub: The upcoming concluding installment of the memoir series, which deeply covers the volatile years of Kitzmiller’s two marriages.
Making Toast: Dealing with Tomorrow: A subsequent nonfiction work centered on the practical, day-to-day realities of moving forward and maintaining structural stability.
5 Habits of Highly Successful Murderers: An expansion of the fiction branch, operating as an erotic murder mystery set in the heart of Indiana.
The ...Songs from the Toaster: More than 30 fully recorded studio tracks are currently held in reserve by Ace of Toaster Records for future releases.
She Sings Songs from the Toaster: A Broken Motel Room: Currently in its active recording phase, continuing the precise acoustic direction established in earlier sessions.
Suicidal Vampire Pre-Production: A dream-pop rock opera based on the original track has officially entered preproduction, marking a new large-scale musical footprint within the universe.
As the archive continues to expand, so does the universe itself. New books generate new music. Songs inspire new stories. Poems evolve into unexpected destinations. What began with a single poem and later emerged publicly through a memoir has grown into an interconnected body of work that continues to develop, one creative chain reaction at a time.
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